CFP S&P
Humanities, Literature & Arts (General) Literature & Writing Visual Arts
Membrana Vol. 6, No. 2 (Skin) invites proposals of manuscripts and visual projects that address photography as it negotiates the ticklish bio-political subject that is skin in precarious and often contradictory ways through (but not limited to) the following perspectives:
-Skin as a quantifiable surface – photography and sciences, quantifiable self, physiognomy, body and photography (historical and contemporary perspectives);
-Body politics and photography – colorism, social stereotypization, and social stratification (race, gender, social roles);
-Desire, drive, and the body exposed – nudity and skin, same or different?
-Skin and selfie culture – self‑documentary, amateur pornography;
-Photogenesis and photography – objectness and human figure; biomediality and anthropocentrism;
-Haptic perception and photography – realism, tactility, tactile multimodality;
-Beyond the skin – transhumanism, cyber-body and photography; virtual, augmented reality (avatars, in-game and social media photography);
-Haptic visuality – beyond representational paradigm, skin and touch in photography and visual experience (depiction, body and photography);
-Phenomenology and photography – skin as a mode of and metaphor for perception, somatic-phenomenological understanding of photography;
-Advertising and skin – smoothing, streamlining, whitening, and other deformations;
-Skins, pelts, trophies – photography as taxidermy;
-Skin, shadows, and silhouettes – body surfaces and bodily forms;
-Skin, gesture, tattoos, and visual semiotics;
-Skin‑deep – surface aesthetics and depth hermeneutics.
Format of contributions
Essays, theoretical papers, overview articles, interviews (approx. 15,000–35,000 characters / 2,200–5,000 words), visuals encouraged
Short essays, columns (8,000–21,000 characters / 1,200–3,000 words), visuals encouraged
Photographic projects and artwork: proposals for non-commissioned work or samples of work
More at: https://lnkd.in/dCcG3NZ